Tattoo Cover Ups

Cover up options for tattoos to essentially remove the original one is an important part of the overall tattooing business. This option can solve numerous issues for a problem tattoo. It is generally recommended that you return to the original artist for any sort of minor touch up work that you may need done, this is because quite often the artist won’t charge for the additional work. Doing so with also likely guarantee that the same type of pigments are once again used for the new design. If you did some homework in being selective in your choice of tattoo artist to begin with then you most likely developed some rapport with them as well.

Tattooists, believe it or not, are normally aware of the level of pain that their work inflicts on their clientele. They, most often, are quite tattooed themselves as I’m sure you’ve seen. They recognize the entire experience, what it’s all about and how personal these symbols can be to people, often even more so than their clients. Their experience also allows them to recognize the level of anxiety their customer’s experience. This is actually noticeable by how easily the skin accepts the pigment, recognizing this can only come from experience. Our bodies react to our psychological (physical), emotional and mental states this leads to a real effect on our skin, it can literally tighten and the experienced tattoo artist who is doing a cover-up or working to remove the tattoo can easily pick up on this.


Other tip offs to the artists are of course your breathing and of course the various expressions that might appear on your face! Keep in mind that while getting anew tattoo, having a cover-up done or getting tattoo removal work done, you can always say ‘I think I’ve had enough for today’, trust me the artist has heard it before and if it’s too much just give it a few days and return for the remaining work, not a big deal. Smaller touch ups can always be completed at a later date, these can include shading graduations, clarifying solid lines in more sensitive spots or maybe just a bit more pigment is needed to really make the artwork pop the way you’d like.

Touch-ups are often done on faded tattoos. Various pigments will tend to degrade at varying rates, they won’t all fade at the identical speed. Where the tattoo is still fairly new and you only require a single color added or brightened, a green needs to be brightened for example, the artist can overlay the new pigment doing their best the blend the new color with the old. This is also the case for other areas of the artwork – outlines for example. But if the entire work has been badly faded due to sun exposure or simply age, the sort of work required is not going to be considered a touch up, it’s referred to as a complete redo.

Keep in mind that not all changes can be corrected with ink touch-ups. The best example I can give here is work that may have been done on something like stretch marks. There can be issues that the lack of elasticity in the skin causes in cases like this. The only way to know for sure is to visit the artist and see what can be done about removing or fixing the unwanted ink. Additionally, blurred tattoos are often not considered good candidates for touch up work. With these you may consider a number of more effective alternatives like lessening the unwanted design through fading it first. tattoo removal creams, TCA acids and laser work are often used to prefade an unwanted design prior to getting the re-work done. However, they may also remove the tattoo altogether which might be just as much to your liking as well.

For those who have had extensive exposure to the effects of sunlight or who have just had their ink for many years a redo might not be the most effective alternative. Once your skin has been tattooed, the truth is it will never be quite the same.

If you decide on a redo the work will often be quite difficult to produce the desired results , they could quite likely end up being something other than you had in mind. However, on the bright side a new cover-up will provide a vibrancy as well as a new tattoo, sometimes the new work will create a new sense of depth and dimension that is only the result of the various new and old ink molecules working in proximity with each other. They don’t become mixed but the unique effect is created by the overlay where the old ink remains underneath.

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